#Got dammit im not full#
#Got dammit im not series#

Nimoy put his own spin on the traditional gesture by holding up just one hand (instead of both) and changing up the verbal blessing slightly. In the Jewish blessing, the position of the fingers forms the Hebrew letter “Shin,” which represents the name “Shaddai” (Almighty God). The Vulcan greeting and the finger-separating hand gesture that accompanies it first appeared in the second season of Star Trek: The Original Series, during an episode titled “Amok Time.” Spock himself (actor Leonard Nimoy) has made no secret of the fact that the gesture and phrase were his idea, and that he based them on Orthodox Jewish blessings he remembered from his childhood. Here are 11 of the most notable Star Trek catchphrases, as well as a little more information about their origins.

#Got dammit im not series#

It incorporates the struggle between retro-futuristic sounds and contemporary mixing techniques, synthetics and acoustics, randomized patterns and thoroughly composed arrangements, mechanical grids and the space in between.Few franchises have had the cultural impact of the various Star Trek television series and movies, and nowhere is that more evident than in the snippets of dialogue that have become a part of the American vernacular-and in some cases, found their way abroad, too. From the gritty guitars of “Pink Future” to the more dance floor friendly “1000”.ĭammit I’m Mad’s self-titled debut album sonically explores many artistic expressions.

#Got dammit im not full#

Their music was described sounding as if Lightning Bolt was playing deerhoof-covers.Įxperimental music pioneer Rafael Toral said “It’s humour but it’s not funny” – which is pretty spot on while their music is complex at times, it never becomes pretentious.ĭuring ten years they’ve been fine-tuning and polishing their tracks to perfection, and after a 10 day recording session at Palazzo Stabile, Italy, the material is ready to see the light of day in the form of a full-length 12” musical journey that traverses the full emotional spectrum from the playfulness of “Hoofprints”, japanese robot voices mixed with mad flute themes on “Flute Mayhem” to blasting punk and lofi-synths on “Dammit I’m Dad”.

Doing all this with masks on didn’t make things easier performing, but gave the audience an extraordinary experience.

They designed masks and started using interactive video projections, while attempting to play as many instruments at the same time as physically possible. Although the music wasn’t created with live performances in mind, they had to make it work.ĭammit I’m Mad compressed all the complicated melodies into one explosive live performance. After releasing a few demo songs on Myspace they started getting request from bookers all over Scandinavia. Stranded in the Stockholm suburb Bredäng they killed the time writing music, and Dammit I’m Mad was born. The band consists of Christian Augustin, drummer originating from the Norrland Hardcore-scene ( Totalt Jävla Mörker & Cult of Luna), and Anton Toorell, a steady member of the Scandinavian experimental scene ( Invader Ace & Receptacles).īack in 2008 they were studying together at the Royal College of Music in Stockholm, and therefore being totally broke, they couldn’t afford to travel home on school break.

Click to share on LinkedIn (Opens in new window)ĭammit I’m Mad is a Pop / Avantgarde / Progressive / Indie – duo from Sweden.

Click to share on Pinterest (Opens in new window).

Click to share on Facebook (Opens in new window).

Click to share on Twitter (Opens in new window).